I find Nathan Englander's "hyper-literal" translation striking as well.
If I were doing a seder for people my own age where we either (a) weren't going to be doing a lot of Hebrew or (b) were versed enough in Hebrew and/or the contents of the seder that they didn't need transliteration, I would be sorely tempted to use this haggadah. (Of course, at $18 a pop, everyone would have to buy/bring their own...)
Note: I simply screen-capped these images off of Amazon.com All rights reserved to Little Brown and Company and the authors, obviously.
In a scene from the second act of the Stephen Sondheim musical Sunday in the Park with George, the aging, wheelchair-bound Marie sits looking up at George Seurat's magnificent painting "A Sunday Afternoon on the Island of La Grand Jatte." Seurat was Marie's father. Her mother, Dot, was Seurat's lover during the time he worked on what would become his greatest work. Thus, Dot is featured prominently in the foreground of the painting.
Standing with Marie looking up at the painting is her grandson, also named George. He too is an artist, but, unlike his namesake, this George is floundering, struggling to find an expression of his own.
Gazing up at the painting, Marie points to her mother and asks, "Did I ever tell you who that was?" George replies patiently, "That is your mother."
Almost as if without hearing him, Marie begins pointing at every other woman in the painting. As she does so, she sings:
Isn't she beautiful?
There she is....there she is...
There she is...there she is...
Mama is everywhere---
He must have loved her so much.
George's response is slightly cold: "Is she really in all those places, Marie?"
In The Concealed Light: Names of Messiah in Jewish Sources, Tzvi Sadan shows us how Jewish commentators through the centuries have stood before the Scriptures and, in a way not unlike Marie before her father's famous painting, seen hints of Messiah in the most unlikely places. Sadan gives his readers glimpses---one hundred different tableaus, if you will---of what they saw, concise summaries organized according to different names assigned to Messiah from Scripture by later rabbinic commentators.
Some of the names Sadan brings out are familiar: Branch, David, Lion, Son of David, Son of Joseph. Others are obscure: Donkey, Adder. Still others are even more startling: Pierced, Son of God. All of the names hold profound resonance for those who cherish the Hebrew Scriptures and who are convinced that Yeshua of Nazareth is the Messiah of whom they speak.
The book is quite engaging on a first reading. In some cases, the connections are challenging to follow (Vav, Stone) because the original Jewish commentators hung their interpretations on the slightest details of the literal Hebrew wording or even lettering. However Dr. Sadan deftly navigates these passages, enabling readers of all levels to follow the interpretative leaps and bounds. And with each entry being only two pages long, the book is easily digested over numerous sittings. I anticipate returning to it regularly for devotional reading.
On a personal note: when I created this blog, I named it Gathering Sparks partially to represent the idea that I felt that there was much beauty, depth, and light in our Jewish traditions, and that it was our duty as Messianic Jews to gather, admire, and be enlightened by those "sparks." Dr. Sadan's book is a prototypical example of this kind of gathering effort, and I am deeply grateful to Vine of David for presenting it to us in such a beautiful form. However, it is not enough simply for Dr. Sadan to write it or Vine of David to publish it. In order for it to reach its full potential, we have to read it---and be nourished by its contents.
In Israel's Messiah and the People of God, Mark Kinzer makes a "radical and scandalous claim"---namely, "that Yeshua constitutes the true center of Jewish life." (p. 64) Dr. Kinzer is not the only Messianic Jew who has discovered this to be true. An ever-growing number of Jewish followers of Yeshua are encountering the Risen One, through the work of God's Spirit, within the pages of our Siddurs and the writings of our sages. The Concealed Light is a powerful witness to His presence within Judaism---for those who have eyes to see and ears to hear.
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If what I've written at all intrigues you, inspires you, moves you, or reminds you of your own relationship with the Rabbi of rabbis, I exhort you: buy this book. Click here to view The Concealed Light for sale online through Vine of David. This review was written based on a advanced review copy I received.
Note: what you are about to read is highly tongue-in-cheek.
The world of critical Biblical scholarship encompasses an ever-growing number of approaches to the Biblical text such as historical-critical, source criticism, form-criticism, and redaction criticism. Postmodern literary theory also introduced us to a range of alternative readings via feminist, post-colonial, and identity theories. It is in the latter vein that I humbly offer yet another vantage point into the words of these historical sacred texts: namely, the "Jewish Guilt" reading of Jesus.
"Jewish guilt" literary theory seeks to expound the ironic nature of the many logia of Jesus by reading them from the vantage point of the 20th century Jewish mother (or grandmother).
I hereby present the first in what might be a series of explorations of Jesus' logia from the "Jewish guilt" vantage point (with apologies to my own mother and grandmother).
It is estimated there are between five-hundred-thousand to
one-and-a-half million survivors of the Holocaust still alive today.
Each month about one percent of these people pass on. Too often, their
last years have been spent in nearly the same conditions in which they
survived in the camps. These who suffered so much, continue to
suffer---don''t they deserve better? We can help ease their last years.
We can do something to care for their daily needs, and that we are
supporting them in tangible ways.
